“A fascinating collection of Glaspell’s short fiction, with a brilliant introduction by Martha Carpentier and Patricia Bryan.”—Elaine Showalter, author, A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx
“This collection is an important addition to the growing body of works by and about Susan Glaspell now in print, since it solidifies her position as a central figure in the development of the modern American short story.”—Linda Ben-Zvi, author, Susan Glaspell: Her Life and Times
“Where has Susan Glaspell’s fiction been hiding all these years? Four generation later, these stories have not lost their bite. They engage the large questions of life, love, and moments of decision. Read them.”—Linda K. Kerber, May Brodbeck Professor in the Liberal Arts and Sciences, University of Iowa
One of the preeminent authors of the early twentieth century, Susan Glaspell (1876–1948) produced fourteen ground-breaking plays, nine novels, and more than fifty short stories. Her work was popular and critically acclaimed during her lifetime, with her novels appearing on best-seller lists and her stories published in major magazines and in The Best American Short Stories. Many of her short works display her remarkable abilities as a humorist, satirizing cultural conventions and the narrowness of small-town life. And yet they also evoke serious questions—relevant as much today as during Glaspell’s lifetime—about society’s values and priorities and about the individual search for self-fulfillment. While the classic “A Jury of Her Peers” has been widely anthologized in the last several decades, the other stories Glaspell wrote between 1915 and 1925 have not been available since their original appearance. This new collection reprints “A Jury of Her Peers”—restoring its original ending—and brings to light eleven other outstanding stories, offering modern readers the chance to appreciate the full range of Glaspell’s literary skills.
Glaspell was part of a generation of midwestern writers and artists, including Sherwood Anderson, Sinclair Lewis, Willa Cather, and F. Scott Fitzgerald, who migrated first to Chicago and then east to New York. Like these other writers, she retained a deep love for and a deep ambivalence about her native region. She parodied its provincialism and narrow-mindedness, but she also celebrated its pioneering and agricultural traditions and its unpretentious values. Witty, gently humorous, satiric, provocative, and moving, the stories in this timely collection run the gamut from acerbic to laugh-out-loud funny to thought-provoking. In addition, at least five of them provide background to and thematic comparisons with Glaspell’s innovative plays that will be useful to dramatic teachers, students, and producers.
With its thoughtful introduction by two widely published Glaspell scholars, Her America marks an important contribution to the ongoing critical and scholarly efforts to return Glaspell to her former preeminence as a major writer. The universality and relevance of her work to political and social issues that continue to preoccupy American discourse—free speech, ethics, civic justice, immigration, adoption, and gender—establish her as a direct descendant of the American tradition of short fiction derived from Hawthorne, Poe, and Twain.
Looking After Clara august 1914
The Manager of Crystal Sulphur Springs july 1915
Unveiling Brenda June 1916
A Jury of Her Peers March 1917
A Matter of Gesture August 1917
Poor Ed March 1918
Beloved Husband April 1918
The Busy Duck November 1918
Pollen March 1919
Government Goat April 1919
The Nervous Pig February 1920
A Rose in the Sand May 1927